
Like the artist, the networked self is an aggregator of information flows, a collection of links to others, a switching machine.

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Stalker (Andrei Tarkovsky - 1979)
The best films are like dreams you’re never sure you’ve really had. I have this image in my head of a room full of sand. And a bird flies towards me, and dips its wing into the sand. And I honestly have no idea whether this image came from a dream, or a film.
— The Blonde in The Limits of Control (Jim Jarmusch - 2009)
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